I live in Dzair, the city known as Algiers, capital of Algeria. My city is a mosaic of districts and streets dating back to medieval as well as to french colonization era; exposing different architecture styles. Through its straight, narrow or winding streets, and through its closed or opened old facades, the city keeps telling the tormented story of its inhabitants – past and present.
Downtown Algiers belongs to what used to be called the European city. The colonial city built during French colonisation of Algeria ; built by the french colons, for the, now-gone, “pieds noirs”. Back then, streets were named after renowned Frenchmen. I never paid attention to the original names of those streets before, since, after independence, they have been replaced by Algerian names. But sometimes, the old names reappear on old maps or in unforgotten memories of old pied-noir. Horace Vernet is one of those streets.
Horace Vernet is a French orientalist painter who lived during the 19th century. He is known for painting the “infamous” battles of colonization war of Algeria. His paintings were meant to portray and celebrate France’s famous butchers and criminals officers. I the Algerian, when I look at those pictures I see neither glory nor victory. I only see the bravery of my people, those anonymous Arabs, resisting french terror, fighting for their land, for their honour, for their survival.
The paintings on the conquest of Constantine is heart-breaking. I can almost hear my people calling for Jihad “Allah Akbar”. I can feel their distress and courage. I can imagine women fleeing the besieged city. In Constantine, young women had no other choice but to escape down the city’s dangerous high cliffs, hanging down a rope. Many escaped, but others simply fell… and died.
The painting of “Coudiat Ati, 1837” is particularly horrifying … the ignominious detail of the profaned graveyard is simply outraging. This painting does indeed portray the French army as our ancestors described it: swarm of coward, lawless and ruthless locusts ; looting, destroying, everything on their passage, harvest, cattles, people…and even tombs.
…
A century later, the offspring of Vernet’s paintings anonymous Algerian fighters have finally won the war and regained their ancestor’s land. France has gone, its army of criminals too and so did all the colons and les pieds-noir. And the name of Horace Vernet has been erased from the street to be replaced by Mennani, one of the many martyrs of Algeria’s liberation war.
Now, when I walk in Algiers, in the street that used to bear the name of Horace Vernet, I remember his paintings, I feel sad for a while, but then I smile… at the revenge of History.
November 3, 2016 at 5:46 pm
What about Algeria since the French left you ?????
….. life is “so sweet” that obviously, a lot of your population prefered leave Algeria and go to France to get a better life !
do not confuse your idealistic opinion with the historical truth !
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November 4, 2016 at 4:19 pm
You comment on this post, where I denounce the crimes of france in Algeria during colonization, not to refute my arguments because obviously you can’t deny historical truth of crimes and massacres against Algerians, but to voice this ridiculous old nostalgic pied-noir’s claim implying that Algeria cannot be doing well without being colonized by France.
You see.. it is this very néo-colonial mindset of yours that makes me value the independence of my country… more and more.
Thank YOU
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February 26, 2019 at 6:20 pm
J’écris un livre sur les peintres et la guerre de conquête de l’Algérie , Horace Vernet y a la part belle ( j’ignorais tout cela quand j’habitais près de la rue H Vernet que j’empruntais tous les jours, entre 1965 et 1974) je suis l’auteur de Algérie , passé masqué, passé retrouvé” ( Alger, El Kalima 2017)
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February 26, 2019 at 7:58 pm
Malheureusement, pour la France coloniale, l’art aussi était au service de la colonisation. J’espère que vous exposerez dans votre prochain livre comment les peintures de Vernet témoignent, honteusement, des crimes commis contre mon peuple.
Merci pour votre commentaire.
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March 1, 2021 at 7:19 pm
Contrairement à ce qui est souvent écrit Horace Vernet n’a pas exalté les soldats français en Algérie, je ne sais si ceux qui ont écrit sur le sujet ont bien regardé le combat de Somah ( musée Rolin d’Autun ) ou La prise de la Smalah d’abd-el-kader ( Versailles) le peintre , si on regarde bien exalte l’appel à la résistance contre l’envahisseur ( deux femmes ont un pistolet à la main dans la Prise de la Smalah), je me suis efforcé de rendre justice à Horace Vernet dans le troisième volet de ma trilogie algérienne en cours de mise au point définitive ( Eugène Fromentin et Horace Vernet deux peintres au miroir de la conquête de l’Algérie)
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September 5, 2021 at 7:16 pm
Absolutely beautiful writing and well put. I feel the same.
Thank you for sharing
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November 16, 2022 at 1:42 pm
My book Algérie, “deux peintres de la conquête: Eugène Fromentin et Horace Vernet” is just published ( November 4)
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